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Apr 27 - Jun 18, 2017
Hamburg, Germany
Klosterwall 23
20095 Hamburg
The Map Is More Interesting than the Territory

Jed Martin

Curated by
Bettina Steinbrügge
A selection of sculptures was installed; Häussler demolished the installation.

Toronto
Lois Andison, Miroslaw Balka, Shannon Bool, Felix Gonzalez-Torres, Jason de Haan, Hadley + Maxwell, Kris Martin, Danh Vo

Somebody Everybody Nobody

Curated by
Rui Mateus Amaral
Plaster-masks of 24 children’s faces, cast as positives in sugar, later eaten by ants.

Apr 03 - May 11, 2013
Toronto, Canada
Curated by
Rui Mateus Amaral
Examination of the themes of authorship and hidden identity via sculptures, objects, drawings and concepts.

Jan 21 - Mar 23, 2013
Toronto
The visual representation of the family

Family Ties

Curated by
Daniel Faria and Rui Amaral
Showing: drawings traced from family photographs

Jan 22 - Mar 08, 2009
Toronto
Honest Ed's
581 Bloor Street West
Visitors could borrow the garments and wear them home

Honest Threads

Curated by
Mona Filip
Honest Threads displayed garments loaned by Torontonians

Weingarten, Germany
3rd Triennial for Contemporary Art
Triennial for Contemporary Art

Zeitzonen [Timezones]

Curated by
Roudolf Scheutle & Brigitte Hausmann
Works Shown

Mar 25 - May 05, 2003
Munich, Germany
Gallery Huber Gueffon
Drawings and sculptural interventions

Zeit und Wieder (Time and Again)

Casts of body parts; drawings 2001-2003

May 01 - 31, 1998
München, Germany
Ausstellungsraum Balanstrasse 21
Verdeckte Nähte/ Hidden Seams

Hidden Seams

Sculpture: wax enclosed articles of clothing, laundry, undershirts, nightshirts and underwear.

May 01 - 31, 1995
Potsdam, Germany
Staudenhof Gallery
Leihgaben [On Loan]

Leihgaben [On Loan]

Clothes and linens were borrowed from institutions responsible for residents of the city

Feb 02 - Mar 31, 1994
Munich, Germany
Holzstraße 10 Rgb.
80469 München
Installation with photographs, drawings and samples of mother's milk.

Sep 30 - Oct 06, 1991
Milano, Italy
Spazio Ansaldo
Curated by
Mario Giusti and Gianni Sassi
Works Shown

Iris Häussler wishes to acknowledge the support of the following funders