Catalog (solo).

Ed.: Julia Wallner; Authors: Sintje Guericke, Marlene Gunia, Georgiana Uhlyarik, Julia Wallner (dt./engl.) Published by Georg Kolbe Museum, Berlin, Germany.

Who was the woman Georg Kolbe adored and immortalized in countless works? By introducing two of her fictitious characters into the biographies of the Kolbes, German-Canadian artist IRIS HÄUSSLER creates a feminist commentary on the male-dominated history of the 20th century and brings an affair to life that never existed but could have. The coming together of historical and imagined figures, of artistic fiction and art historical research, enables a playful approach to forms of historiography.

"Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada".

DETAILS
Part of the McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Series (number 38 in series), edited by Erin Morton.

360 Pages, 8 x 10

76 photos, full colour

Formats: Cloth, Paperback, eBook

Catalog (group) curated by Simone Rocha.

Artists: Sophie Barber, Louise Bourgeois, Elene Chantladze, Petra Collins, Sian Costello, Dorothy Cross, Genieve Figgis, Iris Haeussler, Eimear Lynch & Domino Whisker, Roni Horn, Cassi Namoda, Sharna Osborne, Josiane M.H. Pozi, Cindy Sherman, Alina Szapocznikow, Harley Weir, Francesca Woodman, Luo Yang

girls girls girls is a major new group show curated by the celebrated Irish fashion designer, Simone Rocha. Read more here.

Academic book: La Farge’s illustrated survey of artistic practices discusses Häussler’s major works.

Stealthily occupying the remote corners of history, literature, and art are curious fabrications that straddle the lines between fact, fiction, and wild imagination... Read more

By Antoinette LaFarge. Foreword by G. D. Cohen.
416 pages with 16 pages of color plates
August 2021. Softcover.

Academic book: Jessup discusses works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré.

This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest. Read more

2018 Historias Da Sexualidade. Exhibition-catalogue. Pub. Museu de Arte de Sao Paulo Assis Chateaubriand, Brazil

2018 Art Encounters On The Edge - Exhibition-catalogue;  Bonavista Biennale, Newfoundland, Canada

Catalog (solo).

Contributions include texts by curators Philip Monk, Rui Mateus Amaral, and Catherine Sicot, art historian Gérard Audinet, and psychoanalyst Yan Pélissier, as well as the work of Iris Häussler, Sophie La Rosière, and Florence [Hasard]. Includes texts in English and French.  Read more.

Jed Martin - die Karte ist interessanter als das Gebiet. Pub. Kunstverein Hamburg, Germany

Bauen mit Künstlern. Pub. Robert Stalla. Park Books AG, Zürich. ISBN

2016 Villa Vassilieff, Conception et fabrication: Guillaume Ettlinger et Jérôme Valton, Iris Häussler / Le Projet Sophie La Rosière, micro-édition de 32 pages, septembre 2016. Editions FNAGP

The Contemporary House Cut, Spliced, and Haunted.
Edited by Bridget Elliott
228 Pages, 10 x 8 landscape, 41 figures, full colour throughout

2014 Kunst Oberschwaben 20. Jahrhundert , 1970 bis heute. De. Martin Oswald, Heiderose Langer, Stefanie Datte. Kunstverlag Joseph Fink, Lindenberg im Allgäu, Germany.

The Worn Archive. Ed. Serah-Marie MCMahon, Drawn and Quartely, Montreal, Canada

2012 All Our Relations. 18. Biennale of Sydney exhibition-catalogue, Biennale of Sydney, Sydney, Australia

2012 More Real, exhibition catalogue, by Elizabeth Armstrong eds., Minneapolis Institute of Arts, Minneapolis, USA

Academic book: Includes writing about Häussler’s site-specific projects.

This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. Read more.

Catalog (solo).

Iris Häussler, David Moos, Sarah Milroy and Martha Baillie.
Catalogue of the site-specific installation.
Art Gallery of Ontario; 184 pp, 80 colour illustrations; Hardcover 9x7

Modern Art For Sale. Die Bedeutendsten Kunstmessen der Welt. Henry Werner, Feymedia Artbooks, Düsseldorf, Germany

Academic book: including an essay about Häussler’s work.

In Opening Gambits, cultural critic and philosopher Mark Kingwell puts forth an argument for the similarity between art and philosophy as forms of play, working at the margins of meaning and sense. Read More.

Faktor X. Zeitgenössische Kunst in München. Ed. Siemens arts program, München, Germany

Peter Ottmann; Reinhard Bauer

Zeitzonen. III. Triennale Zeitgenössischer Kunst Oberschwaben. Ed. Stadt Weingarten, Weingarten, Germany

Aids-Memorial. Ed. Bernhart Schwenk, Munich, Germany

"Hand - Medium - Körper - Technik" Ed.: Ulrike Bergermann, Andrea Sick, Andrea Klier, Bremen, Germany

Catalog (solo).

Martina Fuchs, Christianne Meyer-Stoll
Catalogue 1989 - 2001. Bilingual English/German. Hardcover, 128 pp.
Published by ISART Galerie, Munich

City Index. Ed.: Kunsthaus Dresden. Dresden 2000. German/English. Text: Dr. Martina Fuchs

Malsch. Ed.: Walter Storms Verlag, München, Germany

Stille halten. Hrg. Künstlerwerkstratt Lothringerstr., München (erscheint 12/04)

Cornelia Gockel (1999) Die Spur des Gastes. Über Iris Häussler - Feature, 1989-1999. German. Kunstforum International, Vol 146 pp. 274-283, June/July 1999

Catalog.

Blind Date (with Maria Lindberg). Ed.: IASPIS, Konstakademien Stockholm. Stockholm/München 1998. Interview: Susanne Gaensheimer, Maria Lind, Maria Lindberg and Iris Häussler.

Vollkommen gewöhnlich. Hrg.: Kunstfonds e.V., Bonn.

Jahrbuch 1997. Hrg.: Institut für Moderne Kunst Nürnberg, Nürnberg 1997. Text: Gespräch zwischen Christiane Meyer-Stoll und Iris Häussler

Vertrauenssache. Hrg.: Bonner Kunstverein, Bonn 1997. Texte: Annelie Pohlen, Detlef B. Linke

Catalog.

Leihgaben. Hrg.: Förderverein für instabile Medien, Potsdam 1996. Text: Thomas Kumlehn and Conversation between Thomas Kumlehn and Iris Häussler.

Encircled area. Hrg.: Städtische Galerie Zagreb, Zagreb 1996. Text: Hilke Möller (Interview)

Catalog.

Huckepack. Hrg.: Iris Häussler und Förderkreis der Leipziger Galerie für Zeitgenössische Kunst. Leipzig 1995. Text: Klaus Werner.

Max-Pechstein Förderpreis 1995. Hrg.: Städtisches Museum Zwickau, Zwickau 1995. Text: Klaus Werner

0,073 ha Welt. Hrg.: Kunsthaus Glarus, CH-Glarus 1994. Text: Annette Schindler, Marietta Schürholz

Renta Preis. Hrg.: Renta Gruppe Nürnberg / Kunsthalle Nürnberg, Nürnberg. Text: Annelie Pohlen

Leerstand. Pub.Förderkreis der Leipziger Galerie für Zeitgenössische Kunst, Leipzig, Germany

Catalog.

Paidi. Hrg.: Martina Fuchs und Christiane Meyer-Stoll, Kunstraum München e.V. München 1994.

Ars Viva, z.B. skulptur. Hrg.: Kulturkreis der deutschen Wirtschaft im Bundesverband der Deutschen Industrie. Köln. Text: Martina Fuchs

Catalog.

Pro Polis. Hrg.: Goethe Institut Mailand und Städtische Galerie im Lenbachhaus, München/Mailand 1993. Texte: Lucia Matina, Christiane Meyer-Stoll.

Magia Naturalis. Hrg.: Galerie der Hauptstadt Prag/Kulturreferat der Landeshauptstadt München, Prag/München 1992. Text: Christiane Meyer-Stoll (Interview)

Catalog.

Ou Topos - eine synthetische Erinnerung. Hrg.: Kulturreferat der Landeshauptstadt München (Monografienreihe Förderpreise 1991), München 1991. Text: Christiane Meyer-Stoll.

Catalog.

Ou Topos - eine synthetische Erinnerung. Hrg.: Volksbildungswerk der Stadt Wien, Wien 1989. Text: Wieland Schmied.

Katalog der Jahresausstellung der Künstlervereinigung Dachau, Germany

Katalog der Jahressausstellung, pub. Akademie der Bildenden Künste, München

22 Studenten der Akademie der Bildenden Künste, München. Pub. Bildungswerk der Bayrischen Wirtschaft e.V.