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Iris Häussler

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Constructing the field office for "Municipal Archives", a fictitious institution undertaking the assessment of "The Legacy of Joseph Wagenbach". Toronto 2006

Studio Shots and Work Spaces (2)

100 images

Part 2 of the studio tour.

Constructing the field office for "Municipal Archives", a fictitious institution undertaking the assessment of "The Legacy of Joseph Wagenbach". Toronto 2006
Gazing at film-equipment left in the Joseph Wagenbach installation by Peter Lynch. Toronto 2007
Gazing at film-equipment left in the Joseph Wagenbach installation by Peter Lynch. Toronto 2007
Marcus Schubert taking photographs of Joseph Wagenbach's interior. Toronto 2007
Research visit at Casa Loma for the project "He Namjed Her Amber". Toronto 2008
Installing "He Named Her Amber" at the Art Gallery of Ontario. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Studio_2008_Crawford_Amber_02
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Creating artefacts for my project "He Named Her Amber", at the AGO. Toronto 2008
Casting bees-wax into caveties dug in a field in Hillier, 2009
Casting bees-wax into caveties dug in a field in Hillier, 2009
Casting bees-wax into caveties dug in a field in Hillier, 2009
Casting bees-wax into caveties dug in a field in Hillier, 2009
Bronze-casting of selected sculptures from "The Legacy of Joseph Wagenbach". Georgetown 2009
Trying to burn out textile inclusions from a plaster-block. 2009
Excavating a sculpture invertivly casted (beeswax). Hillier 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Casting wax into prepared caveties - resulting in unanticipated sculptures. Toronto 2010
Preparing for creating Sophie's world for "The Sophie La Rosiere Project", Toronto 2010
Dismantling a piano in order to salvage wood panels Sophie could use as panels of her paintings. Toronto 2010
Dismantling a piano in order to salvage wood panels Sophie could use as panels of her paintings. Toronto 2010
Constructing a historic setting for a painting session with a model. For "The Sophie La Rosiere Project". Toronto 2010
Office and archive. Toronto 2011
When your archive serves as a bedroom at times. Toronto 2011
Office and archive. Toronto 2011
Office and archive. Toronto 2011
Office and archive. Toronto 2011
Office and archive. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
Studio-work for developing a fictitious character for the 18th Biennale of Syndey, Australia. Toronto 2011
My fictitious character Sophie La Rosiere took over most of the rooms in the house. Toronto 2011
My fictitious character Sophie La Rosiere took over most of the rooms in the house. Toronto 2011
My fictitious character Sophie La Rosiere took over most of the rooms in the house. Toronto 2011
Studio-work for "ou Topos" for "The Museum of The End of The World" at Nuit Blanche. Toronto 2012
Studio-work for "ou Topos" for "The Museum of The End of The World" at Nuit Blanche. Toronto 2012
Studio-work for "ou Topos" for "The Museum of The End of The World" at Nuit Blanche. Toronto 2012
Using artefacts from my archive to create "Ou Topos" at Nuit Blanche. Toronto 2012
Using artefacts from my archive to create "Ou Topos" at Nuit Blanche. Toronto 2012
Using artefacts from my archive to create "Ou Topos" at Nuit Blanche. Toronto 2012
On-site installation of "Ou Topos" for "The Museum of The End of the World". Toronto 2012
On-site installation of "Ou Topos" for "The Museum of The End of the World". Toronto 2012
On-site installation of "Ou Topos" for "The Museum of The End of the World". Toronto 2012
On-site installation of "Ou Topos" for "The Museum of The End of the World". Toronto 2012
Dismantling "ou Topos" with a great team on site. Toronto 2012
Dismantling "ou Topos" with a great team on site. Toronto 2012
When life and work merge. Kitchen sink. Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
On-site studio in Sydney, Australia, for the project "He Dreamed Overtime". Sydney 2012
Sophie La Rosiere, my fictitious character, dismantled furnitures to salvage the wood to paint on.Toronto 2013
Sophie La Rosiere, my fictitious character, dismantled furnitures to salvage the wood to paint on.Toronto 2013
Sophie La Rosiere, my fictitious character, dismantled furnitures to salvage the wood to paint on.Toronto 2013
Alias Sophie La Rosiere, I paint undercoat with lead-white on furniture boards.Toronto 2013
Enacting Sophie's world in my studio and documenting her work.Toronto 2013
Sophie La Rosiere's studio.Toronto 2013
Sophie La Rosiere's studio.Toronto 2013
Sophie La Rosiere's studio.Toronto 2013
Casting of selected sculptures while I was the sculptor in residence at the Louis Odette Foundry at York University. Toronto, 2014
Casting of selected sculptures while I was the sculptor in residence at the Louis Odette Foundry at York University. Toronto, 2014
Project planning happens everywhere, including in the kitchen. Toronto 2014
Project planning happens everywhere, including in the kitchen. Toronto 2014
Visit at the Centre de Recherche et de Restauration des Musees de France for the Sophie La Rosiere Project. Paris 2014
Visit at the Centre de Recherche et de Restauration des Musees de France for the Sophie La Rosiere Project. Paris 2014
Studio work for the Sophie La Rosiere Project. Toronto 2014
Studio Sophie La Rosiere. Toronto 2014
Studio Sophie La Rosiere. Toronto 2014
Casting of selected sculptures while I was the sculptor in residence at the Louis Odette Foundry at York University. Toronto, 2014
Casting of selected sculptures while I was the sculptor in residence at the Louis Odette Foundry at York University. Toronto, 2014

Contact Iris Häussler

email: iris.haeussler [at] gmail.com
Representation: 
Gallery Daniel Faria
PSM Gallery

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Copyright © 2025 Iris Häussler.

Iris Häussler acknowledges the support of the following funders:

Toronto Arts CouncilCanada CouncilOntario Arts Council