The story of Mary O’Shea, a maid who worked at the Grange, original home of the AGO collection
He Named Her Amber
"He named her Amber" spans the space between fiction and nonfiction. Where there is an initial construct of reality, it must be followed by revealing the fictitious aspects of the project. The passage between these two realms, between the historic narrative and the context of a contemporary artwork is an important part of the work. Before revealing it, the work is not complete.